Amelie intercultural film review

The camera shows her leaning on a fence, flying above her head then craning to a low angle shot to show her flipping stones in the direction of the camera. She breaks into his apartment and rearranges everything just to mess with his head. She persuades her father to follow his dream of touring the world by stealing his garden gnome and having a flight attendant friend airmail pictures of it posing with landmarks from all over the world.

In my opinion, Jean-Pierre Jeunet created a masterpiece. We sit for over one-hour and comfortable chair - our breath slows down and as the lights are switched off, we enter a dream world. Despite all this, Amelie has grown into a healthy and beautiful young woman who works in a cafe and has a whimsical, romantic nature.

Nino is shown falling up the steps chasing the repairs person for the photo machines. The story is told with time and not against time. Was this review helpful?

Going to the cinema is like meditating. A delighted Lucien takes charge at the grocery stand. Tautou has got an attractive address to the camera, and her bohemian eccentricity hints at Holly Golightly or even - at two or three removes - Sally Bowles.

Another one worth mentioning might be the chase of the repairs person. You will need a very sweet tooth to take it. All these scenes disturb the otherwise wonderful cinematography. Balanced and unbalanced pictures contribute to the message of each shot.

Audrey Tautou at the age of 23 is an astonishing actress. Amelie befriends Dufayel Serge Merlinan elderly artist living nearby whose bones are so brittle, thanks to a rare disease, that everything in his flat must be padded for his protection. Camera movement certainly contributes its part to the atmosphere.

This scene appeared to me exaggerated which it probably was intended to be. But these comfortingly childlike games are interrupted by the very grown-up shock of falling in love with a handsome and mysterious stranger, Mathieu Kassovitz. Bretodeau Maurice Benichousending him on a reverie of childhood.

The atmosphere is also supported by the magnificent music by Yann Tiersen who has composed 19 songs in 15 days for this movie.

This is a Paris with all modern life digitally removed: The most remarkable fantasy of this movie is the "Paris" that Jean-Pierre Jeunet conjures up. But what with the accordion music and the cafes and the sepia tint that soaks through panoramic shots of the city skyline, it could be the Paris of 50 years before.

Maybe the introduction is a bit to long, but still I enjoyed every second. She uses gaslighting tactics on Collignon Urbain Cancelierthe nasty greengrocer.Amélie movie reviews & Metacritic score: Amélie, a young waitress in a tiny Parisian café, discovers an old box of childhood treasures hidden beneath her.

Amelie is a fun, entertaining and charming drama with comedic elements that is a unique film going experience.

With a great story at hand, director Jean-Pierre Jeunet crafts a film 89%. Amelie is a beautiful film show more content Jeunet dominantly uses the colours red and green, in the costumes, the set and as a wash over entire shots.

User Reviews

The costumes worn by the characters, particularly Amelie, are consistently coloured red and green, as are many of the sets, including the interior of Amelie’s apartment. The most successful part of the movie is the first act: Amelie's childhood, when all the fantasy and naivety work best. There is a terrific voiceover which introduces us to Amelie's parents and.

Sep 08,  · Thoughtful, charming for 16+. Read Common Sense Media's Amelie review, age rating, and parents guide.4/4. We will write a custom essay sample on “Forrest Gump” Film Review specifically for you.

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Amelie intercultural film review
Rated 4/5 based on 31 review