Previous article in issue. This project faces the realities of the world today, but at the same time is optimistic about the future. The design strategy capitalizes on existing opportunities in Silo City, a neighborhood of abandoned grain elevators that attracts visitors with intermittent activities and seasonal events; and the Old First Ward, a river side residential neighborhood once home to grain elevator laborers.
Traditional printed media afford limited potential for experiencing atmosphere. It is time that we leverage the technology that gives us so much insight into the science of sound, and start designing architectural experiences that can communicate visually what we understand sonically.
The pastoral myth has very real ramifications for the identity of the Randstad, and must be carefully negotiated in any intervention that attempts to change the image or form of the Green Heart.
Within posthumanism, Sound architecture thesis does not occur-we do not transcend our anatomy into some type of digital non-space. This project ultimately changes the Charles River from a barrier to a new urban destination where various social and intellectual activities can occur.
Despite the various opinions on the future campus, the value of physical social interaction remains the primary method of incubating ideas. The objective was to present and scientifically describe a process in which both buildings and sound effect each other, inspiring new solutions, forming innovative structures and becoming both factors and subjects of their constant interaction.
It proposes a strategy of object-making that privileges two faces as a means to highlight the parallel opposition that exists between the perimeter and core of a typical city block, and the binary conditions that occur as a result of this divide.
Finally, I show how 3D Sampling can be applied in the design process through three case studies, involving the design of optical, haptic, and camouflage material qualities and performances, suggestive of applications at landscape, architectural, and product design scales.
The proposal begins with a courthouse, a courthouse framed not as programmatic desire but as a site to develop complexity from the canonical instruments of architecture: Most importantly, it functioned as a meeting place for the public. By placing the objects of oil back underground in their place of origin, they become future sites of meditation on the ways that everyday consumption drives the economies of extraction.
At the same time, its growth inevitably conflicts with the communities that occupy the property in question. From a geological perspective, mass material movements are a method of simultaneous deconstruction and reformation.
MIT i2 is an architectural solution to this issue, and is situated on the Charles River along the Harvard Bridge, the point of greatest pedestrian activity compared to the other parts of the waterfront. The mask, as both an object of formal and figural qualities as well as a participant in performative rituals, becomes the source material with which to resituate the current practice of architecture along the lines of narrative performance.
Two radical interventions address completely different relationships with the water: The invitation to explore sonic movements as architectural experiences comes from the success of these gradients to convey imagined spaces among a flat image.
Reincarnating California City California City is a superlative shrinking suburb. Chris Martin, In Pursuit of Sound Architectural tools are built around visualizing our environment, however it is sound that paints the most accurate picture of our experiences.
To the vast majority, including residents, these slivers and cores remain a visual phenomenon. Materializing Solar Cadences There is a long tradition of architecture creating atmospheric, awe-inspiring experiences by shaping and making visible natural light.
Here is a land where telepresence meshes with corporeality-where the digital is also sensorial. As it is abandoned, salvaged, catalogued, and transformed, this suburban discharge slowly transforms the reincarnated city into an archival catalog of a previous being: The "Blue Heart" is both a strategic intervention that reinterprets additional water as an economic boon, as well as a building typology that enables farmers to capitalize on this new nature.
The emphasis on two faces also creates the effect of flatness, challenging the three-dimensional quality of objects by defining them with twodimensional figures. Automation and autonomy are no longer antonyms-and our sentience is allowed to flicker between the various realities to which it is tethered.
Our conventional conception of the relationship between architecture and the environment is based on false assumptions that we reside comfortably in the standard air-conditioned 70 degrees, effectively producing desensitizing spaces.
Letter from the Architectural Enclave Seeing Architecture as a political art, this thesis concerns itself with boundaries: At the same time, Hong Kong is transitioning towards an economy driven by retail and real estate powered by a new private public regime of supplying mobility through its integrated rail property regime.
Pythagoras unifies specific rules of harmony and proportion from sound in order to determine guidelines for pleasant spaces. This accelerating manipulation of the landscape means that the divide between the bucolic and the manmade is going to dissolve.
This landscape is not a marginalized region in the outskirts of the city that we cannot see, but is a new type of Theme Park, that people can play in. The archetypes of the town hall, in the 12th century Italy, or 17th century New England, functioned not only as the municipal headquarters with offices and courts, but also in some cases included markets, church, warehouse, museum, pub, etc.
Several research methods were used, ranging from case and literature studies aimed at data gathering, to comparative and graphical analysis, discussion, and finally, the synthesis and critical analysis in the concluding part.Architectural Thesis: from Silence to Sound Published on Jul 28, With the advancement of technology and the subsequent decline of deaf culture, a transformation has occurred, revealing a need.
tee), Paul Reller (Thesis Committee), Trent Green (Thesis I Professor) Words could not express the gratitude to my family and friends for the endless support and standing by my side throughout this crazy endeavor called architecture school.
This thesis advances the theory of sound architecture by focusing on the smallest component of sound -the frequency- and translating that into the smallest component of form, -the gradient.
Frequencies layer on one another to create an entire sonic composition, so must the gradients blend together to bring architecture into being. This thesis focuses on what I call musical architecture, specifically the parallels between ideas of layering sound in space.
My goal was to explore the physiological and the psychological implications of designing space around aural perceptions to create a harmonized sonic mi-centre.com thesis book is a compilation of two semesters. CANN WEE CREATEE SPACEE BYY MEANSS OFF SOUND?
Hannes Hölzl, S&Mt Thesis Supervisor: Kees Went. ii For Echo the Nightingale. iii _A_abstract architecture and sound architecture are compared in order to answer the question, to what extent sound can take on. Sound exists in architecture and architecture exists in sound.
The process of how the two have influenced each other can be observed throughout history and has brought us the most surprising outcomes.Download